Pieter Claesz. Pieter Claesz specialised in well-balanced still-lifes with little colour, and this painting is a good example. The play of light on the characteristic objects—a glass of wine, a knife, a metal plate with fish or bread, and a bowl of berries—creates a rich effect while preserving the solidity of the forms. Pieter Claesz (c. 1597–1 January 1660) was a Dutch Golden Age painter of still lifes. Claesz generally chose objects of a more hospitable kind than Heda, although his later work became more colourful and decorative. It was a … Pieter Claesen (Nicholas) Wyckoff (son of and ) was born ABT 1625 . Omissions? Pieter Claesz's son Nicolaes Berchem also became a painter. Pieter Claesz , one of the finest still-life painters of the Dutch Golden Age, shows off his virtuosity in his depiction of a number of vanitas motifs. Balthasar van der Alst, Claesz began to develop the breakfast or banquet picture, a genre of still-life that’s subdued tones were suitable in domestic interiors. A sumptuous feast is set with some of the most extravagant foods available in the Netherlands in the early 17th century. Still Life with Römer, Silver Tazza and Bread Roll. In this painting, for example, besides using brown and green, he only used a dash of blue for the ribbon of the watch. An overturned roemer reflects a window, which can also be seen on the left side of the composition in a glass ball—where we can also see Claesz … Pieter Claesz was influenced by the artist movement 'Vanitas'. He was born in Berchem, Belgium, near Antwerp, where he became a member of the Guild of St. Luke in 1620. They were on their way to Fort Orange (Albany, New York) and the settlement—also called Rensselaerswyck. Please refer to the appropriate style manual or other sources if you have any questions. Still Life with Musical Instruments, by Pieter Claesz. Corrections? Listen to experts illuminate this artwork's story They painted with subdued, virtually monochromatic palettes, the subtle handling of light and texture being the prime means of expression. Pieter Claesz, also called Pieter Claesz van Haarlem, (born 1597, Burgsteinfurt, bishopric of Münster [now Steinfurt, Germany]—buried January 1, 1661, Haarlem, Netherlands), Dutch painter who achieved a striking simplicity and atmospheric quality in still-life representations. Pieter Claesz, however, perfected the still life by breaking out of the more conventional mold and creating a sub-genre, the ontbijtje, or breakfast piece. Updates? Berchem received instruction from his father, Pieter Claesz, a prominent still-life painter, and from several other Dutch masters. Dutch painter of German birth. He moved to Haarlem at an early date, where he married in 1617 and remained for the rest of his life. Find more prominent pieces of vanitas at Wikiart.org – best visual art database. Pieter Claesz (c. 1597–1 January 1660) was a Dutch Golden Age painter of still lifes. He was born in Berchem, Belgium, near Antwerp, where he became a member of the Guild of St. Luke in 1620. Art History Pieter Claesz Pieter Claesz (c. 1597–1 January 1660) was a Dutch Golden Age still life painter ~ "Vanitas - Still Life", 1625 Memento Mori Still Life Drawing … Memento mori – remember you must die. Pieter Claesz (c. 1597–1 January 1660) was a Dutch Golden Age still life painter ~ "Vanitas - Still Life", 1625 restot on Twitter “Pieter Claesz - Still Life with a Salt Shaker [1640]” Claesz had, in addition to his son, the pupils Evert van Aelst, Floris van Dyck, Christian Berentz, Floris van Schooten, and Jan Jansz Treck. Dated and monogrammed PC Dutch masters, Sverige prime means of expression while every effort has been made follow! 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